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If You’ve Seen Any of These Movies, You Probably Regret It

1-10

Ignacio Weil Ignacio Weil
Entertainment - October 26th 2025, 19:00 GMT+1
Cropped the house that jack built 2018

The House That Jack Built (2018)

Some movies make you uncomfortable; this one practically dares you to leave the room. Lars von Trier turns serial killing into a grotesque art form, following Jack as he recounts his “masterpieces” to a mysterious companion. It’s stylish, philosophical, and so unrelentingly dark that you’ll question your own moral compass by the halfway point. Every act of violence feels clinical yet absurdly theatrical – like a museum exhibit from hell. It’s the kind of film that makes you both admire its audacity and wish you hadn’t taken the challenge. | © Zentropa

Cropped Mother 2017

Mother! (2017)

Darren Aronofsky’s Mother! starts like a domestic drama and ends like an emotional apocalypse. It’s a movie that feels like one long panic attack – claustrophobic, loud, and absolutely unapologetic. Jennifer Lawrence gives a powerhouse performance that’s equal parts desperation and disbelief as the chaos in her house spirals out of control. The symbolism is biblical, the metaphors are thick, and the discomfort is relentless. Whether you interpret it as a statement on art, religion, or ego, you’ll still walk away asking, “What the hell did I just watch?” | © Protozoa Pictures

Raw 2016 msn

Raw (2016)

At first glance, Raw looks like your typical coming-of-age story – until the coming-of-age involves cannibalism. Julia Ducournau takes body horror and gives it an almost poetic edge, blending repulsion and empathy in equal measure. You’ll cringe, you’ll squirm, and then you’ll realize you’re weirdly invested in this young woman’s descent into hunger and identity. It’s gross, yes, but it’s also oddly profound, forcing you to confront how human appetites can turn primal. By the end, you’ll respect it… but you might also need a salad cleanse. | © Petit Film

Cropped tusk 2014

Tusk (2014)

Kevin Smith’s Tusk is one of those “you have to see it to believe it” nightmares that make you regret curiosity. What starts as a goofy podcast interview turns into full-blown body horror when our unlucky protagonist meets a man obsessed with turning people into walruses. Yes, walruses. It’s disgusting, hilarious, and existentially confusing all at once – like a late-night fever dream you can’t shake. Somehow, it manages to be both absurd comedy and genuine nightmare fuel. You’ll never look at a marine mammal the same way again. | © SModcast Pictures

Cropped A Serbian Film 2010

A Serbian Film (2010)

Even among horror fans, this one is spoken about in hushed tones. A Serbian Film isn’t just shocking – it’s a full-on endurance test of human depravity. The plot involves a retired adult film actor lured into something far worse than he could have imagined, and from there, it only descends into madness. It’s deeply disturbing, politically charged, and arguably one of the most controversial movies ever made. Some call it social commentary, others call it unwatchable – and both are right. This one doesn’t leave your memory; it infects it. | © Contra Film

Cropped antichrist 2009

Antichrist (2009)

Leave it to Lars von Trier to turn grief, guilt, and chaos into one of the most visually stunning acts of cinematic punishment imaginable. Antichrist is less a horror movie and more a descent into madness disguised as an art film. What begins as a couple’s retreat to the woods turns into a nightmare of pain, fear, and surreal symbolism that would make Freud sweat. It’s gorgeous, shocking, and profoundly unsettling all at once – the kind of experience that makes you appreciate art while questioning your own sanity for watching it. | © Zentropa

Cropped the human centipede 2009

The Human Centipede (2009)

You think you’re ready. You’re not. The Human Centipede is that one movie everyone dares their friends to watch, only to immediately regret the idea halfway through. Director Tom Six proudly presents a concept so grotesque it feels like a dark joke that somehow got studio funding. It’s part mad-scientist experiment, part endurance test for your stomach, and entirely unforgettable – for all the wrong reasons. And yet, behind all the disgust, there’s a perverse sort of camp genius that makes it legendary in the “why did I just watch that?” hall of fame. | © Six Entertainment Company

Monica Bellucci Irreversible

Irreversible (2002)

Gaspar Noé doesn’t just tell a story – he makes you live through it, backward. Irreversible opens with chaos and violence before rewinding to tenderness and loss, forcing viewers to experience trauma in reverse order. The camera spins, the lighting disorients, and the soundtrack feels like an anxiety attack given form. It’s brilliant filmmaking and emotional brutality in equal measure. By the end, you’ll admire the technique but wish your brain could forget every frame. It’s not for the faint of heart – or the optimistic. | © StudioCanal

Audition

Audition (1999)

If you ever needed proof that patience can be terrifying, Audition delivers it. Takashi Miike spends the first hour convincing you that you’re watching a sweet romantic drama, then drops you into one of the most spine-curling finales in horror history. The calm buildup only makes the final act more shocking, as needles, wires, and a haunting “kiri kiri kiri” echo in your mind forever. It’s slow-burn terror perfected – the cinematic equivalent of a quiet smile before a scream. | © Omega Project

Cropped Salò or the 120 Days of Sodom 1975

Salo, or the 120 Days of Sodom (1975)

Pasolini’s Salo doesn’t just push boundaries – it obliterates them, then politely serves you what’s left. Adapted from the Marquis de Sade, this infamous film turns torture, humiliation, and fascist cruelty into a political statement that’s almost unbearable to witness. There’s no comfort, no relief, and no redemption – just a raw confrontation with power and depravity. Whether you see it as high art or cinematic trauma depends on your threshold for despair. Watch it once, discuss it forever, and maybe… never again. | © Produzioni Europee Associati

1-10

There are movies that scare you, and then there are movies that scar you. The kind that linger in your brain long after the credits roll, making you wonder what kind of person thought this up – and why you willingly pressed play. These films aren’t necessarily bad; in fact, some are disturbingly well-made. They just go so far off the deep end that you’ll need a shower (or a therapist) after watching.

This list isn’t about jump scares or popcorn horror. It’s about the cinematic experiences that test your limits – the ones that make you whisper, “Why am I still watching this?” From body horror experiments to philosophical nightmares, these are the movies you might respect for their craft… but absolutely wish you could unsee.

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There are movies that scare you, and then there are movies that scar you. The kind that linger in your brain long after the credits roll, making you wonder what kind of person thought this up – and why you willingly pressed play. These films aren’t necessarily bad; in fact, some are disturbingly well-made. They just go so far off the deep end that you’ll need a shower (or a therapist) after watching.

This list isn’t about jump scares or popcorn horror. It’s about the cinematic experiences that test your limits – the ones that make you whisper, “Why am I still watching this?” From body horror experiments to philosophical nightmares, these are the movies you might respect for their craft… but absolutely wish you could unsee.

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