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15 Special Awards Created for the Worst Movies in the World

1-15

Ignacio Weil Ignacio Weil
Entertainment - August 13th 2026, 23:30 GMT+2
Baywatch 2017

15. The Razzie Nominee So Rotten You Loved It — Baywatch (2017)

Baywatch entered the Razzie ceremony expecting a conventional drubbing and left with the only trophy designed to soften the insult. In a Rotten Tomatoes–sponsored public vote, audiences picked it over The Emoji Movie, The Mummy, Fifty Shades Darker and Transformers: The Last Knight. Dwayne Johnson accepted the backhanded compliment on video, turning the victory into a promotional gag more gracefully than Mitch Buchannon handled most emergencies on that beach. | © Paramount Pictures

Twister 1996

14. The Joe Eszterhas Worst Written Film Grossing Over $100 Million Award — Twister (1996)

The flying cow was never the problem. Razzie voters aimed at Michael Crichton and Anne-Marie Martin’s screenplay, choosing Twister over Independence Day, Mission: Impossible, The Hunchback of Notre Dame and A Time to Kill. The tornado spectacle still made nearly half a billion dollars and earned two Oscar nominations, leaving this bespoke Raspberry to function less as punishment than an irritated note scribbled across Hollywood’s very large deposit slip. | © Warner Bros. Pictures and Universal Pictures

Rambo Last Blood 2019

13. Worst Reckless Disregard for Human Life and Public Property — Con Air (1997) and Rambo: Last Blood (2019)

Most Razzies judge artistic failure; this one arrived with an itemized repair bill. Con Air inaugurated the category after its hijacked plane carved through Las Vegas, while Rambo: Last Blood resurrected it more than two decades later with tunnels, traps and a body count that made municipal damage seem almost quaint. Apparently, Hollywood must achieve an exceptional concentration of carnage before Golden Raspberry voters stop reviewing the movie and call the insurance adjuster. | © Lionsgate

RV 2006

12. Worst Excuse for Family Entertainment — RV (2006)

Robin Williams spends much of RV trapped between a feuding family, an oversized motor home and a sewage hose with impeccable comic timing. Razzie voters named it the year’s worst excuse for family entertainment, ahead of Deck the Halls, Garfield: A Tail of Two Kitties, The Santa Clause 3 and The Shaggy Dog. It was a wonderfully severe verdict on a harmless road comedy: the cinematic equivalent of grounding a dad for taking everyone on vacation in the first place. | © Columbia Pictures

I Know Who Killed Me 2007

11. Worst Excuse for a Horror Movie — I Know Who Killed Me (2007)

The category title sounds like a defense offered at the ticket counter: yes, technically, this is a horror movie. Lindsay Lohan’s dual role as kidnapped student Aubrey Fleming and mysterious dancer Dakota Moss helped I Know Who Killed Me dominate seven categories, with her characters counted separately in the Worst Actress tally. This custom-built prize best captured the movie’s identity crisis—a lurid mixture of torture thriller, doppelgänger mystery and blue-glass symbolism that baffled viewers more efficiently than it frightened them. | © TriStar Pictures

Arnold Schwarzenegger in Around the World in 80 Days 2004 1

10. Worst Razzie Loser of Our First 25 Years — Arnold Schwarzenegger in Around the World in 80 Days (2004)

Arnold Schwarzenegger earned this prize through the strange achievement of losing eight times. His latest unsuccessful bid came for his silk-robed cameo as Prince Hapi in Around the World in 80 Days, but the award folded two decades of unrewarded Razzie nominations into one career punchline. Calling him the “worst loser” was pure Golden Raspberry wordplay: he had never won a competitive Razzie, so the organization finally rewarded his remarkably durable record of not being rewarded. | © Walt Disney Pictures

War of the Worlds 2005

9. Most Tiresome Tabloid Targets — Tom Cruise and Katie Holmes during War of the Worlds (2005)

No screenplay, performance or box-office flop won this one; a celebrity-news cycle did. The Razzie ballot bundled Tom Cruise, Katie Holmes, their unborn baby, the Eiffel Tower proposal and Oprah Winfrey’s famously battered couch into a single tabloid hydra. Cruise’s separate Worst Actor nomination for War of the Worlds kept the ceremony nominally tethered to cinema, but this trophy targeted the publicity spectacle surrounding “TomKat.” Even Hollywood’s loudest alien invasion struggled to compete with that much couch-assisted romance. | © Paramount Pictures

Six Days Seven Nights 1998

8. Worst Movie Trend of the Year: “Gidgets ’n’ Geezers” — represented by Six Days, Seven Nights (1998)

Rather than roast one production, the Razzies put Hollywood’s romantic arithmetic on trial. “Gidgets ’n’ Geezers” described 58-year-old leading men paired with 28-year-old women, with Six Days, Seven Nights, A Perfect Murder and Stepmom cited as examples. The label has acquired its own layer of vintage awkwardness, yet the complaint beneath it remains recognizable: studios routinely treated male aging as gravitas and female aging as a casting emergency. Harrison Ford’s island romance became the handiest poster child. | © Touchstone Pictures

Showgirls 1995

7. The Joe Eszterhas Dis-Honorarial Worst Screenplay Award — Showgirls (1995) and An Alan Smithee Film: Burn Hollywood Burn (1998)

Imagine winning a screenplay award with your own name already engraved in the insult. The Razzies rechristened the category for Joe Eszterhas, then handed it to him for Showgirls, whose neon melodrama turned Las Vegas dialogue into a contact sport. Three ceremonies later, he repeated the feat with An Alan Smithee Film: Burn Hollywood Burn, a satire about a director disowning his movie that was itself disowned by director Arthur Hiller. Even the punchline tried to remove its name from the credits. | © MGM

Jaws The Revenge

6. Worst Career Achievement — “Bruce the Rubber Shark,” capped by Jaws: The Revenge (1987)

A rubber shark managed what generations of actors only dream about: a lifetime-achievement prize. The Razzies blamed “Bruce,” the nickname that stuck to the mechanical menace, for diminishing returns throughout the Jaws franchise and presented the honor in the season of Jaws: The Revenge. That sequel also secured Bruce a Worst Actor nomination, although Bill Cosby ultimately beat him. The fish had gone from terrifying audiences to being formally reviewed as an employee—and apparently one with troubling long-term performance issues. | © Universal Pictures

Dolittle 2020

5. The Worst Calendar Year EVER! — 2020

Cinema was granted an alibi; the calendar itself took the blame. With theaters shuttered, releases delayed and daily life supplying more dread than most horror films, the Razzie governors handed a special trophy to that cursed twelve-month stretch as “The Worst Calendar Year EVER!” The gag also acknowledged a practical disruption: streaming releases became eligible while the industry’s usual rhythm collapsed. No director could appeal, no studio could demand a recount, and the winner had already made everyone endure the full running time. | © Universal Pictures

From Justin to Kelly 2003

4. Distinguished Under-Achievement in Choreography — Travis Payne for From Justin to Kelly (2003)

Travis Payne’s résumé includes work with Michael Jackson, but the Razzies judged his beach-party detour far less kindly. From Justin to Kelly stranded American Idol finalists Kelly Clarkson and Justin Guarini inside a spring-break musical, where poolside group numbers and an infamous towel routine did much of the storytelling. The regular ballot had no choreography category, so a Governor’s Award was invented for Payne’s “distinguished under-achievement.” It was the film’s lone win that night after eight nominations—a remarkably elaborate step toward one Raspberry. | © 20th Century Fox

The Last Airbender 2010

3. Worst Eye-Gouging Misuse of 3-D — The Last Airbender (2010)

The Last Airbender turned a beloved animated fantasy into a dim post-conversion 3-D experience, and Razzie voters decided ordinary failure did not adequately describe the eyestrain. The movie beat Clash of the Titans, Saw 3D, The Nutcracker in 3D and Cats & Dogs: The Revenge of Kitty Galore in the newly minted category. It also collected Worst Picture, Director, Screenplay and Supporting Actor, giving M. Night Shyamalan’s adaptation five trophies—and audiences another dimension in which to dislike it. | © Paramount Pictures

The Cat in the Hat 2003 cropped processed by imagy

2. Worst Excuse for an Actual Movie (All Concept/No Content) — The Cat in the Hat (2003)

The category title reads less like an award than a studio note that escaped into public view. The Cat in the Hat arrived with Dr. Seuss iconography, Mike Myers beneath layers of prosthetics and enough production design to wallpaper a suburb, yet the Razzies found no movie underneath the merchandise. It beat 2 Fast 2 Furious, Charlie’s Angels: Full Throttle, From Justin to Kelly and The Real Cancun for the honor. Eight nominations produced just this one win, but it was devastatingly comprehensive. | © Universal Pictures

Jackass The Movie 2002

1. Most Flatulent Teen-Targeted Movie — Jackass: The Movie (2002)

Only Jackass: The Movie could receive an insult involving flatulence and have it sound suspiciously like audience targeting. The franchise’s first feature beat Crossroads, Eight Crazy Nights, Scooby-Doo and xXx in this one-season category, which treated juvenile gross-out comedy as both demographic strategy and atmospheric condition. The joke lands differently here than with most Razzie winners: bodily functions, bad taste and reckless stunts were the advertised product. Calling it flatulent was less a takedown than an unusually accurate pull quote. | © Paramount Pictures

1-15

Winning Worst Picture is embarrassing enough, but the Razzies have occasionally decided that ordinary humiliation simply would not do. Throughout their wonderfully petty history, the Golden Raspberry Awards have created special categories for flatulent teen movies, eye-gouging 3D, reckless destruction, and productions that barely qualified as movies at all. A few insults were so precisely tailored that the category name became funnier than the winner. Hollywood may forget a bad film, but an award called “Most Flatulent Teen-Targeted Movie” tends to linger.

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Winning Worst Picture is embarrassing enough, but the Razzies have occasionally decided that ordinary humiliation simply would not do. Throughout their wonderfully petty history, the Golden Raspberry Awards have created special categories for flatulent teen movies, eye-gouging 3D, reckless destruction, and productions that barely qualified as movies at all. A few insults were so precisely tailored that the category name became funnier than the winner. Hollywood may forget a bad film, but an award called “Most Flatulent Teen-Targeted Movie” tends to linger.

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