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15 Video Games With Near-Perfect Scores Everywhere

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Nazarii Verbitskiy

Gaming - May 7th 2026, 23:55 GMT+2

Satisfactory — 15. Satisfactory (2020)

Satisfactory turns the simple act of building a factory into an endless spiral of beautiful obsession. The game gives you an alien planet and asks you to strip-mine it into the most efficient industrial complex possible, then watches as you lose entire weekends to perfecting conveyor belt layouts. Every solution creates three new problems, and somehow that cycle feels more addictive than any progression system or story beat. Coffee Stain Studios built something that makes optimization feel like art. | © Coffee Stain Studios

Bloodborne — 14. Bloodborne (2015)
Bloodborne drops you into a Victorian nightmare where the streets of Yharnam crawl with beasts that used to be people, and the only way forward is to hunt or be hunted. FromSoftware trades the medieval castles of Dark Souls for gothic architecture and cosmic horror, creating something that feels like H.P. Lovecraft wrote a fever dream about werewolves. The game rewards aggression over caution, forcing players to abandon the careful, shield-heavy approach that worked in previous Souls games. When you finally piece together what happened to this cursed city, the revelation hits harder than any boss fight. | © Sony Interactive Entertainment

Metroid Prime — 13. Metroid Prime (2002)
Metroid Prime took a beloved 2D series and made the jump to 3D without losing any of the claustrophobic exploration that made it special. The lock-on targeting system lets you circle-strafe around enemies while still feeling like you're controlling Samus, not watching her from a distance. Every room connects to every other room in ways that reveal themselves slowly, turning the whole game into one massive puzzle where backtracking feels like discovery instead of tedium. Nintendo figured out how to make first-person platforming work by designing around the visor, not against it. | © Nintendo

Final Fantasy VII — 12. Final Fantasy VII (1997)
Final Fantasy VII took a fantasy series known for crystals and medieval settings, then dropped it into a world of motorcycles, corporate dystopia, and environmental collapse. The shift worked because Square committed fully to the science fiction elements while keeping the emotional storytelling that made the series special. Cloud's identity crisis and Sephiroth's slow reveal as a villain who burned down Cloud's hometown create personal stakes that feel huge even when the fate of the planet hangs in the balance. Twenty-seven years later, people still argue about whether Aerith's death was necessary, which says everything about how deeply the story landed. | © Sony Computer Entertainment

Ghost of Tsushima — 11. Ghost of Tsushima (2020)
Ghost of Tsushima lets you play out every samurai movie fantasy you've ever had, complete with standoffs at sunset and wind-swept fields of pampas grass. The combat system makes every sword fight feel like a deliberate duel rather than button-mashing, while the photo mode practically begs you to stop and frame another perfect shot of Jin's cape flowing in the breeze. Sucker Punch built an open world that actually looks like feudal Japan instead of just another generic fantasy landscape with different architecture. The game succeeds because it commits completely to its cinematic vision without getting lost in unnecessary complexity. | © Sony Interactive Entertainment

Super Mario Odyssey — 10. Super Mario Odyssey (2017)
Super Mario Odyssey throws out the rulebook that Nintendo spent decades writing for Mario games. Instead of linear levels and familiar power-ups, it drops you into massive sandbox worlds where Mario can literally become a T-Rex, a taxi cab, or a spark of electricity by throwing his hat at things. The possession mechanic feels like cheating in the best possible way, turning every object into a potential playground tool. Most platformers ask you to master their systems, but this one just hands you the keys to break physics and have fun with it. | © Nintendo

Hades — 9. Hades (2020)
Hades makes dying fun, which should be impossible in a genre built around punishing failure. Every death sends you back to the underworld hub where family drama unfolds through witty dialogue that somehow never repeats, turning each run into both mechanical improvement and narrative progression. Supergiant Games figured out how to make a roguelike feel like a story with real characters instead of just a series of random rooms. The combat stays sharp for hundreds of hours because failure always teaches you something new about both the systems and Zagreus himself. | © Supergiant Games

Mass Effect 2 — 8. Mass Effect 2 (2010)
Mass Effect 2 strips away the first game's clunky inventory management and elevator rides, then builds the entire experience around one simple promise: this suicide mission at the end might actually kill your crew. Every loyalty quest, every upgrade, every conversation choice feeds into that final assault where beloved characters can die permanently based on your decisions. The game turns squad management into something genuinely emotional because you know these people might not make it back. BioWare figured out how to make players care about fictional deaths by making them feel preventable. | © Electronic Arts

The Witcher 3 Wild Hunt — 7. The Witcher 3: Wild Hunt (2015)
The Witcher 3 drops you into a world that feels lived-in rather than designed, where every village has its own problems and every monster hunt comes with a story that matters. Geralt's search for Ciri becomes the thread that pulls you through hundreds of hours of side quests that somehow never feel like busy work. The game treats player choice seriously enough that decisions from early conversations can completely change how major storylines play out dozens of hours later. Other open-world games give you a map full of icons to check off, but this one gives you reasons to care about the people behind each question mark. | © CD Projekt

Red dead redemption 2 — 6. Red Dead Redemption 2 (2018)
Red Dead Redemption 2 commits to the Western fantasy so completely that brushing your horse's coat becomes a meditative ritual and watching camp members interact feels more compelling than most main quests. Rockstar built a world where you can spend twenty minutes skinning animals and sorting through your satchel, and somehow none of it feels like busy work. The story takes its time with everything, letting conversations breathe and relationships develop across dozens of hours before the inevitable tragedy kicks in. Most open-world games ask you to suspend disbelief, but this one makes you forget you're playing a game at all. | © Rockstar Games

Elden ring — 5. Elden Ring (2022)
Elden Ring takes the punishing difficulty that made Dark Souls famous and drops it into an open world where you can actually leave when things get impossible. FromSoftware finally gives players permission to explore somewhere else, level up, and come back stronger instead of beating their heads against the same boss for hours. The collaboration with George R.R. Martin shows up in the environmental storytelling and lore fragments, but the real magic happens when you crest a hill and see some massive, inexplicable structure waiting in the distance. It proves that the Souls formula works even better when you have room to breathe. | © Bandai Namco Entertainment

Half Life 2 — 4. Half-Life 2 (2004)
Half-Life 2 made physics puzzles feel like magic tricks instead of homework. The gravity gun turns everyday objects into weapons and tools, letting you fling sawblades at enemies or stack crates to reach high platforms with a satisfaction that still feels fresh decades later. Valve built a world where every interaction makes sense, from the way wood splinters to how water flows, creating moments where the technology serves the story instead of showing off. The result is a shooter that never stops finding new ways to surprise you with what should be mundane. | © Valve

Portal 2 — 3. Portal 2 (2011)
Portal 2 takes the brilliant puzzle mechanics of the original and wraps them in a story that actually matters, with GLaDOS returning as one of gaming's most memorable villains. The game doubles down on dark comedy while Wheatley bumbles through an apocalyptic takeover, turning every conversation into a masterclass in voice acting and writing. Valve somehow made moving through test chambers feel like uncovering a mystery, especially when you discover the abandoned sections of Aperture Science and piece together Cave Johnson's deranged corporate history. Few puzzle games manage to be this funny and this clever at the same time. | © Valve

Baldurs Gate 3 — 2. Baldur's Gate 3 (2023)
Baldur's Gate 3 gives you the kind of freedom that breaks other RPGs, then somehow holds together anyway. You can seduce a bear, convince enemies to kill themselves through dialogue, or solve major plot points by shoving people off cliffs, and the game just rolls with it. The writing stays sharp even when you are doing something completely unhinged, treating every bizarre player choice as a valid way to experience the story. Most games this ambitious collapse under their own weight, but this one just keeps finding new ways to surprise you. | © Larian Studios

The Legend of Zelda Breath of the Wild — 1. The Legend of Zelda: Breath of the Wild (2017)
The Legend of Zelda: Breath of the Wild ditched thirty years of formula and handed players a broken world with almost no instructions about how to fix it. Every mountain can be climbed, every solution can be improvised, and the game trusts you to figure out your own path through Hyrule without quest markers holding your hand. Physics work the way physics should work, which means you can solve puzzles in ways the developers never intended and somehow it all holds together. Nintendo built a sandbox that actually feels wild instead of just calling itself open world. | © Nintendo

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Getting a near-perfect score from one outlet is hard enough – getting them everywhere is almost unheard of. These are the games that landed with such force that critics across the board ran out of things to complain about.

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Getting a near-perfect score from one outlet is hard enough – getting them everywhere is almost unheard of. These are the games that landed with such force that critics across the board ran out of things to complain about.