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Alexandra Daddario’s 15 Best Roles: Ranked Worst To Best

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Ignacio Weil

TV Shows & Movies - July 11th 2026, 17:00 GMT+2

Baywatch 2017 alexandra daddario cropped processed by imagy — 15. Baywatch (2017)

*Baywatch* is the kind of studio comedy that mistakes volume for personality, then keeps shouting just in case nobody noticed the first time. Alexandra Daddario brings a game, likable presence as Summer Quinn, but the movie gives her little to do beyond reacting to better-paid chaos and standing near the plot. It is glossy, expensive, and weirdly lifeless, which makes her charm feel less like a feature and more like emergency damage control. | © Paramount Pictures

Cropped Texas Chainsaw — 14. Texas Chainsaw (2013)

*Texas Chainsaw* has a hilarious relationship with logic, continuity, and basic math, which is not ideal for a sequel trying to treat Leatherface like tragic family baggage. Alexandra Daddario commits fully as Heather, but the script keeps dragging her through dumb reveals, doomed side characters, and horror-movie decisions that feel written during a coffee break. She deserved a sharper slasher showcase; instead, she got one of the messier entries in a franchise already built on mess. | © Millennium Films

Cropped Bereavement — 13. Bereavement (2010)

*Bereavement* wants to be disturbing so badly that it sometimes forgets to be dramatically interesting. Alexandra Daddario plays Allison with real effort, and you can see the early signs of a stronger performer trying to push through material that mostly leans on cruelty and gloom. The horror is nasty, the pacing is heavy, and the movie never quite earns the misery it throws around, but Daddario at least gives the chaos a recognizable human center. | © Crimson Films

Cropped Lost Girls and Love Hotels — 12. Lost Girls & Love Hotels (2020)

*Lost Girls & Love Hotels* gives Alexandra Daddario a serious adult role, then surrounds her with so much moody drifting that the movie starts to feel like it is avoiding its own story. As Margaret, she does strong, vulnerable work, especially in the quieter moments where self-destruction looks more exhausting than romantic. The problem is that the film often confuses atmosphere with depth, leaving Daddario to do the emotional lifting while the script stares into the neon and sighs. | © Blackbird

Cropped Percy Jackson the Olympians The Lightning Thief — 11. Percy Jackson & the Olympians: The Lightning Thief (2010)

*Percy Jackson & the Olympians: The Lightning Thief* is still a sore subject for book fans, and honestly, they have a case. The movie ages up the characters, rushes the mythology, and turns Rick Riordan’s world into a generic fantasy-adventure machine with a suspiciously expensive coat of paint. Alexandra Daddario is one of its better choices as Annabeth Chase, bringing confidence and bite, but even she cannot fully rescue an adaptation that keeps missing the point. | © 20th Century Fox

Cropped San Andreas — 10. San Andreas (2015)

*San Andreas* is ridiculous disaster cinema with a straight face, which is either part of the fun or the entire problem, depending on your tolerance for skyscrapers collapsing on cue. Alexandra Daddario plays Blake with more intelligence and grit than the usual blockbuster daughter role, and she gives the movie some badly needed human scale. Still, the film is pure popcorn engineering: loud, broad, emotionally obvious, and held together mostly by Dwayne Johnson’s biceps and impossible rescue timing. | © Warner Bros. Pictures

Alexandra Daddario The Girlfriend Experience cropped processed by imagy — 9. The Girlfriend Experience (2016)

*The Girlfriend Experience* is cold, controlled, and deliberately uncomfortable, so Alexandra Daddario’s appearance fits into a world where every conversation sounds like a negotiation nobody wants to admit they are having. Her role is not large enough to define the series, but she adds texture to its polished, emotionally transactional universe. The show can be too detached for its own good, yet its icy confidence makes it a more interesting credit than several of her bigger, louder film projects. | © Transactional Pictures

Cropped I Wish You All the Best — 8. I Wish You All the Best (2024)

*I Wish You All the Best* works best when it keeps things intimate, letting family tension and small acts of care matter more than big inspirational speeches. Alexandra Daddario plays Hannah, the older sister who takes Ben in after their parents reject them, with a warmth that feels practical rather than saintly. The film can be gentle to a fault, but Daddario gives her scenes a grounded sincerity that keeps the emotional beats from turning into soft-focus messaging. | © Ace Entertainment

Cropped Lost Transmissions — 7. Lost Transmissions (2019)

*Lost Transmissions* is uneven, but at least it is uneven in an interesting way, wrestling with music, mental illness, friendship, and the ugly gaps in the systems meant to help people. Alexandra Daddario is not the main engine of the film, which belongs more to Simon Pegg and Juno Temple, but she blends naturally into its anxious Los Angeles atmosphere. The movie occasionally strains for importance, yet its bruised sincerity gives her a stronger dramatic environment than some slicker titles on her résumé. | © Pulse Films

Cropped We Summon the Darkness — 6. We Summon the Darkness (2019)

*We Summon the Darkness* knows exactly what kind of trashy midnight snack it wants to be, and Alexandra Daddario is clearly having more fun here than in several of her bigger studio roles. As Alexis, she turns the sweet-girl setup into something sharper, meaner, and much more entertaining once the film starts showing its real teeth. It is not elegant horror, and it does not pretend otherwise, but its Satanic Panic nastiness gives Daddario a chance to play with danger instead of just survive it. | © The Fyzz Facility

Alexandra daddario why women kill cropped processed by imagy — 5. Why Women Kill (2019)

*Why Women Kill* is glossy, shamelessly dramatic, and dressed like every character knows they are one betrayal away from a very expensive breakdown. Alexandra Daddario fits that heightened world well as Jade, a seductive wildcard who could have easily become a flat soap-opera problem if played without control. The show is not subtle, but subtlety was never the assignment; its pleasure comes from watching good actors treat ridiculous emotional warfare like life-or-death combat. | © CBS Television Studios

Cropped We Have Always Lived in the Castle — 4. We Have Always Lived in the Castle (2018)

*We Have Always Lived in the Castle* is a far better use of Alexandra Daddario’s screen presence than the projects that only ask her to look alarmed or glamorous. As Constance Blackwood, she gives the Gothic drama a soft, haunted stillness, playing kindness like something that has been locked indoors too long. The film is quiet, strange, and not always fully gripping, but Daddario’s restraint gives it an eerie sadness that lingers longer than the plot mechanics. | © Further Films

Cropped Wildflower — 3. Wildflower (2024)

*Wildflower* is not flawless, especially when its family dramedy instincts soften material that could have used a little more bite. Still, Alexandra Daddario feels relaxed and genuinely funny as Joy, slipping into the ensemble without forcing the movie to orbit around her. That ease matters: after years of projects that either underused her or boxed her into obvious roles, this one lets her play a recognizable adult in a messy family instead of a genre function. | © Entertainment One

Alexandra daddario The White Lotus 2021 cropped processed by imagy — 2. The White Lotus (2021)

*The White Lotus* gave Alexandra Daddario the role that reminded people she could do much more than survive blockbusters and horror scripts. Rachel Patton is not written as the loudest person in the room, but Daddario makes her slow realization feel painfully specific: the smile fades, the silence gets heavier, and the honeymoon starts looking like a luxury trap. Opposite Jake Lacy, she turns discomfort into one of the show’s sharpest emotional threads. | © HBO Entertainment

Alexandra daddario true detective cropped processed by imagy — 1. True Detective (2014)

*True Detective* remains Alexandra Daddario’s most career-defining screen appearance because it did exactly what a breakout role is supposed to do: it made people reassess her in a matter of minutes. Lisa Tragnetti is not the show’s deepest character, but Daddario gives the part confidence, danger, and a wounded edge that keeps her from feeling like a simple plot device in Marty Hart’s self-destruction. In a series dominated by Matthew McConaughey, Woody Harrelson, and industrial-strength Louisiana dread, she still left a mark. | © HBO Entertainment

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Alexandra Daddario has gone from scene-stealing horror roles to prestige TV favorites, building the kind of career that refuses to fit into one neat box. Whether she is fighting monsters, surviving family drama, or turning a supporting part into the thing everyone remembers, her best performances show a lot more range than people sometimes give her credit for. So, from the fun-but-flawed picks to the roles that truly proved her star power, here are Alexandra Daddario’s best movies and TV shows, ranked worst to best.

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Alexandra Daddario has gone from scene-stealing horror roles to prestige TV favorites, building the kind of career that refuses to fit into one neat box. Whether she is fighting monsters, surviving family drama, or turning a supporting part into the thing everyone remembers, her best performances show a lot more range than people sometimes give her credit for. So, from the fun-but-flawed picks to the roles that truly proved her star power, here are Alexandra Daddario’s best movies and TV shows, ranked worst to best.