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Alexandra Daddario’s 15 Best Roles: Ranked Worst To Best

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Ignacio Weil

TV Shows & Movies - October 11th 2026, 19:00 GMT+2

Baywatch 2017 alexandra daddario cropped processed by imagy — 15. Baywatch (2017)

Someone has to keep a straight face while Dwayne Johnson and Zac Efron turn lifeguarding into an Olympic ego contest. As recruit Summer Quinn, Alexandra Daddario supplies the competitive streak and amused skepticism that help keep *Baywatch* afloat. Her audition improvisations even earned a place in the script. Summer could have disappeared into the slow-motion scenery; instead, Daddario gives her enough confidence to puncture the boys’ posturing without breaking a sweat. | © Paramount Pictures

Cropped Bereavement — 14. Bereavement (2010)

Grief gives Daddario something substantial to work with before the screaming starts in this *Malevolence* prequel. Playing Allison Miller, a teenager who moves in with relatives after losing her parents, she brings a prickly independence to the familiar girl-in-danger setup. Her friction with Michael Biehn’s protective uncle helps establish a life beyond the impending carnage. That groundwork matters when Allison’s curiosity draws her toward a nearby slaughterhouse, where compassion becomes a dangerous instinct. | © Crimson Films

Cropped Texas Chainsaw — 13. Texas Chainsaw (2013)

Inheriting a house sounds lovely until Leatherface comes with the property. Daddario’s Heather Miller arrives in Texas expecting answers about her family and gets a particularly aggressive introduction to her roots. The performance becomes more interesting as Heather’s terror collides with questions of loyalty and belonging, asking Daddario to sell some spectacularly questionable family bonding. She commits to the emotional turns with enough conviction to make this blood-soaked inheritance worth investigating. | © Millennium Films

Cropped Percy Jackson the Olympians The Lightning Thief — 12. Percy Jackson & the Olympians: The Lightning Thief (2010)

Sword first, pleasantries later: Daddario’s Annabeth Chase makes a persuasive entrance as someone who has little patience for an untrained demigod. Playing Athena’s daughter, she brings a practiced confidence to the fighting and a competitive spark to her exchanges with Logan Lerman. The adaptation takes considerable liberties with Rick Riordan’s novel, but her appeal is easy to understand. She makes Annabeth feel ready for the quest before Percy has properly understood the assignment. | © 20th Century Fox

Cropped Lost Girls and Love Hotels — 11. Lost Girls & Love Hotels (2020)

Margaret teaches English pronunciation to trainee flight attendants, then spends her nights pursuing oblivion in Tokyo. It’s an uncomfortable contradiction that Daddario inhabits without asking for easy sympathy. Her affair with a yakuza member, played by Takehiro Hira, offers connection without much prospect of stability. Beneath the drinking and risky encounters, Daddario suggests someone exhausted by her own behavior, giving the film’s erotic material an undertow of loneliness that no amount of neon can prettify. | © Blackbird

Alexandra Daddario The Girlfriend Experience cropped processed by imagy — 10. The Girlfriend Experience (2021)

An old college friend isn’t necessarily a reliable guide to a new profession. As Tawny, Daddario helps draw Julia Goldani Telles’ Iris into high-end escorting, bringing an uncertain mix of familiarity and calculation to the third season of *The Girlfriend Experience*. Their shared Harvard history suggests trust; their interactions leave room for doubt. Working in a restrained register, Daddario makes that ambiguity useful, allowing apparently friendly advice to carry the uncomfortable possibility of another agenda. | © Transactional Pictures

Cropped San Andreas — 9. San Andreas (2015)

Dwayne Johnson gets the rescue helicopter, but Daddario gets several of *San Andreas’* smartest survival decisions. Her Blake draws on her father’s emergency know-how to guide two brothers through a collapsing San Francisco, giving the disaster spectacle a capable young leader on the ground. Daddario balances practical thinking with visible fear, particularly when water replaces falling concrete as the immediate problem. Watching her work, you believe Blake actually listened during the family safety lectures. | © Warner Bros. Pictures

Cropped Lost Transmissions — 8. Lost Transmissions (2019)

Dana Lee has pop-star priorities, which makes her an entertaining interruption in a drama full of more urgent concerns. Daddario plays the singer with a breezy self-absorption that contrasts with Juno Temple’s Hannah, a songwriter trying to help a producer experiencing a mental health crisis. The supporting part lets Daddario sharpen her comic timing without hijacking the film. Around Dana, the music business keeps chasing the next song, however badly the people making it are struggling. | © Pulse Films

Cropped I Wish You All the Best — 7. I Wish You All the Best (2024)

Opening the door is the easy part of Hannah’s responsibility in *I Wish You All the Best*. After her younger sibling Ben comes out as nonbinary and is rejected by their parents, she offers a home while navigating their own complicated family history. Daddario gives Hannah warmth without pretending that affection automatically supplies all the answers. Alongside Corey Fogelmanis, she makes the sibling relationship feel tentative, protective, and worth repairing, one conversation at a time. | © ACE Entertainment

Alexandra daddario why women kill cropped processed by imagy — 6. Why Women Kill (2019)

Watch how readily Jade makes herself welcome. Entering the home of Taylor and Eli, a married couple with an open relationship, Daddario initially presents a woman whose vulnerability invites protection. Then the balance of power starts shifting. Her performance thrives on the gap between what Jade displays and what she wants, making charm an increasingly unnerving asset. Marc Cherry’s *Why Women Kill* supplies the extravagant plotting; Daddario supplies a very good reason to reconsider the guest arrangements. | © CBS Television Studios

Cropped We Summon the Darkness — 5. We Summon the Darkness (2019)

Heavy metal, suspicious hospitality, and Alexandra Daddario enjoying herself far too much: *We Summon the Darkness* knows how to assemble a party. Her Alexis leads a trio of concertgoers whose invitation to some new male acquaintances comes with undisclosed conditions. Daddario gradually lets the friendly surface slip, then attacks the nastier material with gleeful theatricality. The chemistry with Maddie Hasson adds a welcome comic charge, especially as their carefully arranged evening becomes increasingly difficult to manage. | © The Fyzz Facility

Cropped Wildflower — 4. Wildflower (2022)

Good intentions become a competitive family sport in *Wildflower*, and Daddario’s Aunt Joy is happy to participate. As the well-off, overprotective sister of Bea’s mother, she contributes a particular brand of certainty to an extended family overflowing with opinions. Daddario finds the comedy in that confidence without needing to dominate an ensemble that includes Jean Smart and Jacki Weaver. It’s an enjoyable character turn built around a recognizable irritation: the relative who considers concern a qualification to take charge. | © Entertainment One

Cropped We Have Always Lived in the Castle — 3. We Have Always Lived in the Castle (2018)

Constance Blackwood’s careful domestic routines make cooking and hospitality feel faintly ominous in this Shirley Jackson adaptation. Daddario plays the secluded older sister with a sweetness so guarded that even an ordinary exchange seems capable of upsetting her equilibrium. Opposite Taissa Farmiga’s fiercely protective Merricat, she builds a convincing bond shaped by affection, dependence, and an appalling family history. Her restraint gives the Blackwood house its sadness, long before anyone threatens to disturb its fragile peace. | © Further Films

Alexandra daddario true detective cropped processed by imagy — 2. True Detective (2014)

Marty Hart likes to imagine that his marriage and his affair operate under rules only he gets to write. Daddario’s Lisa Tragnetti exposes the arrogance of that arrangement. Across her brief first-season arc, she moves from playful intimacy to anger as Woody Harrelson’s detective reveals his possessiveness and hypocrisy. The role attracted enormous attention for its explicit scenes, but Daddario’s dramatic contribution is sharper: she makes Lisa’s refusal to remain convenient a consequential threat to Marty’s carefully compartmentalized life. | © HBO Entertainment

Alexandra daddario The White Lotus 2021 cropped processed by imagy — 1. The White Lotus (2021)

The honeymoon suite is gorgeous. The marriage is already making Rachel Patton feel small. Daddario captures that dawning discomfort with painful precision, playing a journalist whose wealthy new husband treats her professional ambitions as an unnecessary complication. Her scenes opposite Jake Lacy turn polite exchanges into tests of how much Rachel is prepared to surrender. The performance earned Daddario an Emmy nomination, but its real sting lies in making indecision so understandable—and so frustrating to watch. | © HBO Entertainment

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Alexandra Daddario has gone from scene-stealing horror roles to prestige TV favorites, building the kind of career that refuses to fit into one neat box. Whether she is fighting monsters, surviving family drama, or turning a supporting part into the thing everyone remembers, her best performances show a lot more range than people sometimes give her credit for. So, from the fun-but-flawed picks to the roles that truly proved her star power, here are Alexandra Daddario’s best movies and TV shows, ranked worst to best.

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Alexandra Daddario has gone from scene-stealing horror roles to prestige TV favorites, building the kind of career that refuses to fit into one neat box. Whether she is fighting monsters, surviving family drama, or turning a supporting part into the thing everyone remembers, her best performances show a lot more range than people sometimes give her credit for. So, from the fun-but-flawed picks to the roles that truly proved her star power, here are Alexandra Daddario’s best movies and TV shows, ranked worst to best.