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Aubrey Plaza's Top 15 Movies Ranked From Worst to Best

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Ignacio Weil

TV Shows & Movies - June 25th 2026, 20:30 GMT+2

Childs play 2019 aubrey plaza 1 — 15. Child's Play (2019)

The *Child’s Play* remake works best when it stops trying to worship the old Chucky mythology and leans into its tech-nightmare update. Aubrey Plaza gives the movie its sharpest human angle as Karen, a tired mother trying to do right by her kid while accidentally bringing home the worst toy in modern retail history. It is slick, nasty, and occasionally too calculated, but Plaza keeps the panic from feeling like plastic. | © Orion Pictures

Cropped Best Sellers — 14. Best Sellers (2021)

*Best Sellers* pairs Aubrey Plaza with Michael Caine in a literary road comedy that sounds sharper on paper than it often plays on screen. Plaza’s Lucy is an anxious publisher clinging to a dying business, and her clipped impatience gives the film more bite than its sentimental beats probably deserve. The movie coasts on old-school odd-couple energy, but Plaza finds little sparks of vanity, frustration, and panic in between the broader jokes. | © Item 7

Cropped An Evening with Beverly Luff Linn — 13. An Evening with Beverly Luff Linn (2018)

Jim Hosking’s *An Evening with Beverly Luff Linn* is aggressively strange, the kind of movie that walks into the room wearing a fake mustache and refuses to explain itself. Plaza plays Lulu with a bored intensity that somehow fits the film’s deliberately stiff, bizarre rhythm, even when the story feels like it was assembled from motel wallpaper and bad decisions. It is not for everyone, but her commitment to the nonsense gives it a stubborn cult-movie charge. | © Park Pictures

Life after Beth MSN — 12. Life After Beth (2014)

*Life After Beth* turns the zombie girlfriend premise into a breakup comedy with bite marks, and Plaza clearly understands the assignment from both sides. She makes Beth sweet, scary, confused, needy, and feral, sometimes within the same scene, which gives the movie a funnier emotional pulse than the gimmick suggests. The film can be uneven, but watching Plaza weaponize romantic neediness as undead chaos remains one of its great pleasures. | © American Zoetrope

Cropped The Little Hours — 11. The Little Hours (2017)

*The Little Hours* takes a medieval convent, fills it with modern profanity, and lets Aubrey Plaza stalk through the whole thing like a nun who has already read the complaint letters. As Sister Fernanda, she turns repression into a full-contact sport, bouncing off Alison Brie, Kate Micucci, and Dave Franco with gleeful bad behavior. The joke could have worn thin fast, but the cast’s dry commitment keeps the blasphemous farce weirdly elegant. | © Destro Films

Cropped My Old Ass — 10. My Old Ass (2024)

*My Old Ass* uses Aubrey Plaza sparingly, which turns out to be one of its smartest tricks. As the older version of Elliott, she is less a wacky time-travel device than a walking emotional spoiler warning, bringing dry humor to advice that slowly starts to hurt. Maisy Stella carries the coming-of-age story beautifully, but Plaza gives the movie its bittersweet aftertaste, the sense that growing up means losing and gaining yourself at once. | © LuckyChap Entertainment

Cropped Spin Me Round — 9. Spin Me Round (2022)

*Spin Me Round* begins like a corporate retreat fantasy and then gradually curdles into something sweaty, awkward, and faintly cursed. Plaza’s role is smaller than Alison Brie’s lead, but she knows exactly how to poison the air around a scene, playing Kat as stylish, guarded, and probably three secrets ahead of everyone else. The film’s tonal wobble is part of the appeal, especially when Plaza turns suspicion into a fashion accessory. | © Duplass Brothers Productions

Cropped The To Do List — 8. The To Do List (2013)

*The To Do List* gives Aubrey Plaza a rare lead role in a teen sex comedy that flips the usual gender panic without sanding down the embarrassment. Her Brandy is overprepared for everything except actual experience, and Plaza mines that contradiction for laughs that feel sweaty, specific, and proudly uncool. The movie’s raunch can be blunt, but its best joke is Plaza treating sexual discovery like an extra-credit assignment with terrible lab conditions. | © The Mark Gordon Company

Cropped Safety Not Guaranteed — 7. Safety Not Guaranteed (2012)

*Safety Not Guaranteed* helped prove Plaza could do more than side-eye the room and steal the scene on impact. As Darius, she starts in familiar deadpan territory, then lets curiosity, loneliness, and guarded hope slowly crack the surface without making a big speech about it. The film’s time-travel hook is charming, but its real magic comes from Plaza and Mark Duplass making emotional sincerity feel dangerous, funny, and a little embarrassing. | © Big Beach

Cropped Happiest Season — 6. Happiest Season (2020)

*Happiest Season* became a holiday talking point for many reasons, but Plaza’s Riley quietly walked away with a ridiculous amount of the audience’s attention. She plays Harper’s ex with warmth, restraint, and just enough dry humor to make every scene feel calmer the second she enters. The movie around her is messy in very recognizable family-comedy ways, yet Plaza gives it an alternate romantic gravity that fans are still arguing about. | © TriStar Pictures

Cropped Operation Fortune Ruse de Guerre — 5. Operation Fortune: Ruse de Guerre (2023)

*Operation Fortune: Ruse de Guerre* drops Plaza into Guy Ritchie’s glossy spy-machine and lets her trade sarcasm with Jason Statham, Hugh Grant, and a lot of expensive-looking chaos. The movie is more swagger than surprise, but Plaza cuts through the boys’-club energy with a wonderfully unfazed rhythm, as if international espionage is just another terrible workplace. She makes the hacker role feel less like exposition delivery and more like controlled professional irritation. | © Miramax

Cropped Scott Pilgrim vs the World — 4. Scott Pilgrim vs. the World (2010)

*Scott Pilgrim vs. the World* uses Aubrey Plaza like a perfectly timed insult grenade, and honestly, that is cinema. Julie Powers does not need much screen time to become unforgettable, because Plaza turns every line into a tiny act of social violence. Edgar Wright’s comic-book velocity is stacked with scene-stealers, but Plaza holds her own by doing the opposite of everyone else: standing still, glaring hard, and making contempt look musical. | © Universal Pictures

Cropped Black Bear — 3. Black Bear (2020)

*Black Bear* is the kind of slippery indie drama that practically dares the audience to explain what just happened, and Plaza meets it with one of her most unpredictable performances. She plays Allison as performer, manipulator, victim, and maybe all three at once, shifting the movie’s power dynamics without ever announcing the trick. It is sharp, uncomfortable, and deliberately unstable, but Plaza gives the chaos a magnetic center that keeps pulling everything back toward her. | © Oakhurst Entertainment

Cropped Emily the Criminal — 2. Emily the Criminal (2022)

*Emily the Criminal* strips away the quirky armor and gives Plaza a role built on pressure, debt, anger, and pure survival math. As Emily, she is tense without being showy, dangerous without turning into a movie criminal fantasy, and exhausted in a way that feels painfully recognizable. The thriller mechanics are tight, but Plaza’s performance is what makes the film sting: every bad choice looks less like rebellion than oxygen. | © Low Spark Films

Cropped Ingrid Goes West — 1. Ingrid Goes West (2017)

*Ingrid Goes West* remains Plaza’s sharpest movie showcase because it understands the danger hiding inside her funniest instincts. Ingrid is needy, frightening, hilarious, and painfully human, a social-media stalker who would be easy to mock if Plaza did not make her desperation feel so brutally familiar. The satire still bites because it is not just about Instagram fakery; it is about loneliness learning how to use a phone. Plaza makes that funny until it suddenly is not. | © Star Thrower Entertainment

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Aubrey Plaza built her career on the kind of screen presence that makes awkward silence feel like a weapon, but her best movies prove she’s never been just the “deadpan girl.” From acidic indie comedies to thrillers, dramas, and the occasional studio curveball, Plaza has turned small gestures and sideways glances into full character studies. Ranking her best films means tracking an actor who keeps dodging the obvious career path — and usually making the weirdest choice the most interesting one.

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Aubrey Plaza built her career on the kind of screen presence that makes awkward silence feel like a weapon, but her best movies prove she’s never been just the “deadpan girl.” From acidic indie comedies to thrillers, dramas, and the occasional studio curveball, Plaza has turned small gestures and sideways glances into full character studies. Ranking her best films means tracking an actor who keeps dodging the obvious career path — and usually making the weirdest choice the most interesting one.