M. Night Shyamalan is one of the worst directors in Hollywood, and his production of Glass showcases the worst of the worst. A film that not even Anya Taylor-Joy's appearance could save, especially since her role is significantly reduced compared to the prequel. | © Universal Pictures
The prequel to Glass, known as Split, is better... though not by much. At least Anya is able to carry the entire film with her leading role, and her interactions with James McAvoy make it one of the director's better movies, although not one of the actress's best. | © Universal Pictures
A horror movie that at the last minute they decided to slap an "X-Men" sticker on and make it part of the Marvel world... though since no one saw this garbage, they might as well sweep it under the rug. However, Anya did a great job as Magik, and we would love for her to reprise the role if the character returns in the future. | © Marvel
The big problem with Amsterdam lies in a cast that's so packed with celebrities and big names (some who aren't even actors) that it's a confusing amalgamation of famous faces and little substance. Imagine that Anya Taylor-Joy is one of the main villains, and she has very little screen time... | © 20th Century Studios
Barry is a bit of a mess in the way it's written, full of inconsistencies about the main character. And to be honest, even Anya Taylor-Joy's role feels middling at best, but I suppose 3 stars is better than 1. | © Netflix
It's clear that in Marrowbone, our beloved Anya was still finding herself as an actress, and it's true that she still had a way to go. But this horror story is captivating when it succeeds, and its characters are well-developed, making it worth giving a chance. | © Universal Pictures
If you're upset that Furiosa: A Mad Max Saga isn't among the top, I understand. I also wish it were higher, but let this be a testament that from now on we'll be seeing the best of Anya. And the truth is, she stood out in her role as Furiosa, which, while far from being the best Mad Max film, managed to create a character we came to love in the prequel to Fury Road, with a performance that, though it may seem neutral, truly shines through her subtle gestures. | © Warner Bros.
I have to admit that I'm biased because I love Edgar Wright, and while Last Night in Soho is far from his best film, the alter ego figure that is Anya Taylor-Joy delivers a performance that feels very true to the era. It's no surprise that this got her the role in Amsterdam. But maybe it’s due to the next entry on this list? | © Universal Pictures
It's rare to see a character introduced in the fifth season of a show, but not in the case of Peaky Blinders, where there are always new friends to be found and enemies to fight. And the addition of an American Anya brings a refreshing air to the polluted world of Peaky Blinders. | © Caryn Mandabach Productions
Although I'm not a big fan of this movie, you know you're in for a sinister adventure when Anya is in the lead role. Her ever-present deer-in-headlights look works great for the purpose of The Menu, a thriller where, as it progresses, we realize there's a lot more at stake than just a simple dinner. Bonus points for the movie, though, for the morbidly hilarious exchange between the Chef and Felicity: "What school did you go to?" – "Brown." – "Student loans?" – "No." – "I'm sorry, you're dying." | © Searchlight Pictures
Anya's first role was so iconic that she had to work with the same director, Robert Eggers, again on The Northman. And although she's no longer the lead, she works very well as half of this Viking duo that blends cosmic and folkloric horror with the brutality of the medieval era. | © Focus Features
If you haven't seen this film, I won't spoil it, as this dark comedy is always revealing something new around the next corner. But I must mention that Anya is perfect for her role in Thoroughbreds, nailing the disdainful gestures typical of someone from high society. | © Focus Features
Ah, how I’d love to place Anya's first role at the top of this list, but I'm trying to be objective. However, The Witch shows us a girl terrified by the extreme beliefs of a small Calvinist family, though they might be more real than they appear. And what had I already said about Anya in period roles? Still, I think it was a heavy job for her young age, but she managed it perfectly, bringing us one of the best performances in the history of horror cinema. | © A24
Well, I've said it several times, and I'll say it again: Anya is excellent in period films. And although Emma may not be your cup of tea, with the vibrant colors typical of more modern productions that take us out of the gray English countryside, it's the best adaptation of Jane Austen’s work to date (except maybe Clueless, but you're not ready for that conversation). And the reason? Anya in the lead role of Emma, who showcases both the cruelty of high society and the regret and desolation of a girl who doesn’t know she’s in love. | © Focus Features
But of course, the one we all knew had to be number 1, and the role that won everyone's heart and propelled Anya Taylor-Joy's career to the top is none other than The Queen's Gambit. And how could it not be? It's a tough job to create a character and portray them in such a way that they're able to carry an entire series, especially when it's something as seemingly dull as the world of chess. But it works! So much so that it has inspired many people, both women and men, to take up the classic board game once again. | © Netflix
One of the new actresses who has quickly become one of Hollywood's favorites is Anya Taylor-Joy. It’s impossible to watch a modern movie without her appearing! But with her long list of productions in such a short time, which moments has she truly excelled in? It’s time to look at all of Anya Taylor-Joy’s roles and rank them from worst to best!
