Some of the best films ever made weren’t made in Hollywood. These international movies stand out for their craft, bold ideas, and emotional impact. Each one proves that great storytelling doesn’t need to speak English to hit hard.
Must-see movies.
Goodnight Mommy centers on twin boys who begin to suspect that the woman under their mother’s bandages isn’t really her. The film moves slowly at first, building tension through silence, glances, and small unsettling details rather than loud scares. It rewards patience, and once everything clicks into place, you may find yourself replaying earlier scenes to see what you missed. | © Stadtkino Verleih
The Innocents follows a group of children who begin to discover strange, telekinetic abilities while playing around their quiet apartment complex. What starts as innocent curiosity slowly turns darker, exploring how cruelty and power can surface in kids who don’t fully understand the consequences. The young cast is astonishingly natural, and the film’s calm, almost clinical style makes the more disturbing moments hit even harder. | © IFC Films
8½ follows a filmmaker who can’t move forward with his next project as his personal life, memories, fantasies, and creative doubts begin to blur together. Federico Fellini turns that artistic crisis into something deeply personal, mixing dream sequences with reality in a way that pulls you straight into Guido’s restless mind. It’s not light or easy viewing, but if you care about art, creativity, or the messy process behind it, this one stays with you. | © Columbia Pictures
Two Days, One Night follows a woman battling depression who has a single weekend to convince her coworkers to give up their bonus so she can keep her job. The premise is simple, but each doorstep conversation carries real emotional weight, especially as guilt and self-doubt creep in. Marion Cotillard’s performance feels so raw and unguarded that it’s hard not to see yourself, or someone you know, in her struggle. | © IFC Films
Grave of the Fireflies follows two siblings trying to survive in Japan during the final months of World War II. The film doesn’t chase hope or easy comfort; it shows hunger, loss, and the quiet cruelty of being forgotten in the middle of conflict. It’s devastating in a way that feels painfully real, and you’ll probably want tissues nearby. | © Toho
City of God drops you into the favelas of Rio and follows the rise of gang violence through the eyes of a young aspiring photographer. The film doesn’t romanticize crime; it shows how power, poverty, and survival collide in ways that feel both shocking and painfully real. Fast editing, raw performances, and a sense of lived-in authenticity make it gripping from start to finish, and hard to shake afterwards. | © Miramax Films
The Handmaiden unfolds as a story of deception and desire set inside a stunning mansion that mixes Western luxury with Japanese minimalism. Park Chan-wook uses sensual tension carefully, letting it deepen the characters and power shifts instead of distracting from them. The three-part structure keeps flipping your perspective, so just when you think you understand the scheme, the film pulls the rug out again. | © CJ ENM
Wild Tales strings together a series of revenge stories that start ordinary and then spiral into complete chaos. Each segment lulls you into thinking you know where it’s going before delivering a sharp, often shocking twist. It’s darkly funny, unhinged in the best way, and endlessly entertaining, just maybe not ideal for a quiet family movie night. | © Warner Bros. Pictures
Le Samouraï follows a solitary hitman whose perfectly controlled routine begins to crack after a job goes wrong. Jean-Pierre Melville strips the crime genre down to silence, repetition, and icy precision, letting Alain Delon’s detached presence carry the film. It’s minimalist, stylish, and hugely influential, a quiet blueprint for modern neo-noir that still feels sharp decades later. | © S.N. Prodis
The Holy Mountain throws out traditional storytelling and replaces it with bold symbolism, religious imagery, and scenes that feel closer to a waking dream than a plot-driven film. Alejandro Jodorowsky pushes the medium to its limits, blending spirituality, satire, and surreal visuals into something that demands interpretation rather than passive viewing. It’s strange, confrontational, and unforgettable, the kind of movie that challenges you as much as it fascinates you. | © ABKCO Films
Spirited Away follows a young girl who stumbles into a mysterious spirit world and must find the courage to survive inside a strange bathhouse filled with gods and creatures. Hayao Miyazaki builds a universe bursting with imagination, where every corner feels alive, and every character leaves an impression. It’s visually breathtaking, emotionally rich, and layered enough that both children and adults can find something different in it each time they watch. | © Walt Disney Pictures
In the Mood for Love tells a quiet story about two neighbors who discover their spouses are unfaithful and slowly drift toward each other. The film says very little outright, relying instead on glances, repeated hallway encounters, and a haunting musical theme to express everything they refuse to admit. It’s restrained, intimate, and visually unforgettable, the kind of romance that lingers because of what it holds back, not what it shows. | © Focus Features
Infernal Affairs follows an undercover cop inside the triads and a criminal mole embedded in the police, locking both men into a tense game of survival. The film moves with sharp precision, constantly shifting perspectives as each tries to expose the other before their own cover collapses. It’s gripping, morally complex, and so tightly constructed that it later inspired The Departed, proving just how powerful Hong Kong cinema can be. | © Miramax Films
Seven Samurai tells the story of a desperate village hiring seven ronin to defend them, but it plays out on a scale that feels both intimate and epic at the same time. Akira Kurosawa builds each warrior into a fully realized character, so when the final battle arrives, it carries real emotional weight. Nearly every modern assemble the team movie owes something to this film, which still feels gripping and surprisingly fresh decades later. | © Columbia Pictures
Parasite begins as a clever tale of a struggling family gradually embedding itself into the lives of the rich, but it quietly transforms into something far more unsettling. The film moves between dark humor and sharp tension with total control, exposing class divides without ever feeling preachy. It’s the kind of movie that works as pure entertainment on first watch, then reveals deeper layers the more you think about it. | © Neon
Some of the best films ever made weren’t made in Hollywood. These international movies stand out for their craft, bold ideas, and emotional impact. Each one proves that great storytelling doesn’t need to speak English to hit hard.
Some of the best films ever made weren’t made in Hollywood. These international movies stand out for their craft, bold ideas, and emotional impact. Each one proves that great storytelling doesn’t need to speak English to hit hard.