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The Worst Movies of 2025 (So Far): From Bad To Terrible

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Ignacio Weil

Entertainment - July 6th 2025, 19:00 GMT+2

Cropped mickey 17 — 20. Mickey 17

Bong Joon Ho’s *Mickey 17* has an ambitious sci-fi premise, but its execution struggles to match the depth of its ideas. The film attempts to blend satire, existential dread, and action, but critics found the tone uneven and the pacing sluggish. Robert Pattinson gives a compelling dual performance, but even he can’t lift the muddled script. Supporting characters feel underwritten, and the film’s world-building often comes off as abstract rather than immersive. While visually striking, it leans too heavily on philosophical exposition without grounding it in emotional stakes. The end result is a film that feels more like a concept than a complete story. | © Warner Bros. Pictures, Plan B Entertainment, Offscreen, Kate Street Picture Company

Wolf man 2025 msn — 19. Wolf Man

Despite promising talent behind the camera, *Wolf Man* fails to breathe new life into Universal’s iconic monster. The film is weighed down by generic writing and underdeveloped characters, making it hard to invest in the story. Christopher Abbott tries to ground the emotional arc, but the script gives him little to work with. Julia Garner is largely wasted in a role that never fully evolves. Critics also pointed out the surprisingly lackluster transformation effects, which feel dated rather than terrifying. For a movie meant to relaunch a classic, it feels surprisingly toothless. | © Universal Pictures, Blumhouse Productions, Cloak & Co.

Cropped cleaner 2025 — 18. Cleaner

*Cleaner* starts with a clever premise – a lone window cleaner trapped in a skyscraper siege – but fumbles its potential. Daisy Ridley does her best with the material, but she’s often sidelined in favor of cliché-ridden subplots. The villain, played by Clive Owen, is barely fleshed out, and the eco-terrorist motivation feels forced rather than compelling. Action scenes are sporadic and occasionally thrilling, but uneven pacing drains momentum. Critics also noted that the film leans too hard on its *Die Hard*-in-the-sky concept without doing much new with it. It’s a decent setup that ultimately doesn’t stick the landing. | © Anton, Qwerty Films

Cropped Captain America Brave New World — 17. Captain America: Brave New World

Marvel's latest entry, *Captain America: Brave New World*, suffers from an identity crisis. Anthony Mackie steps into the title role with charisma, but the film gives him little space to develop as a true leader. Critics and fans alike called out the clunky script, heavy-handed political themes, and rushed action sequences. Even big names like Harrison Ford feel underused in a plot that tries to juggle too many subplots. The visuals, surprisingly, also drew criticism – especially the CGI, which many found unpolished for a film of this scale. Instead of a fresh chapter, it feels like a filler episode in the MCU. | © Marvel Studios, Walt Disney Pictures

Cropped the alto knights — 16. The Alto Knights

*The Alto Knights* had all the ingredients of a great mob epic – Robert De Niro, a Nicholas Pileggi script, and Barry Levinson behind the camera – but the final product feels stale. De Niro’s dual roles are technically impressive but lack emotional nuance. Critics noted that the film relies too much on narration and exposition, leaving the story feeling flat. The dialogue often veers into cliché, and the pacing drags through scenes that should have been tense or explosive. While the production design is authentic and detailed, it can’t cover for a script that lacks the spark of genre classics. | © Winkler Films, Warner Bros. Pictures

Cropped you are cordially invited — 15. You Are Cordially Invited

Despite an A-list cast featuring Reese Witherspoon and Will Ferrell, *You Are Cordially Invited* falls flat as a wedding comedy. The humor feels outdated, leaning heavily on tired slapstick and forced misunderstandings. What could have been a smart satire on modern family dynamics becomes a string of awkward moments and loud arguments. Ferrell’s usual charm is buried under clunky writing, while Witherspoon is given little to work with beyond surface-level emotions. Audiences expecting clever banter or heartfelt payoff were left with a forgettable, overlong mess. Even fans of the stars found this one difficult to enjoy. | © Amazon Studios, Nick Stoller Productions

Cropped a working man — 14. A Working Man

*A Working Man* had the setup for a gritty, emotional action drama, but ends up feeling like a stitched-together series of clichés. Jason Statham plays his usual tough-guy role, but without the charisma or bite that made his earlier work shine. The plot jumps between tones – part revenge thriller, part family drama – but neither element is convincing. Dialogue is stiff, the pacing sluggish, and the villains are underwritten. Even the fight choreography, usually Statham’s strong suit, lacks the energy fans expect. It’s a forgettable entry in his filmography that squanders its potential. | © MGM, STXfilms

Cropped a minecraft movie — 13. A Minecraft Movie

Adapting *Minecraft* for the big screen was always going to be a challenge, but this chaotic, tone-deaf movie misses the mark by a wide margin. What should have been a fun, creative romp becomes a noisy and confused adventure with little narrative structure. Jack Black and Jason Momoa try to keep things light, but the humor often feels forced and out of place. The visuals are vibrant but overwhelming, and the story lacks the heart or coherence needed to connect with audiences. It’s a film that pleases neither hardcore fans nor casual moviegoers. | © Warner Bros. Pictures, Legendary Pictures, Mojang Studios

Cropped the woman in the yard — 12. The Woman in the Yard

With a strong lead performance from Danielle Deadwyler and a moody atmosphere, *The Woman in the Yard* had the makings of a compelling psychological thriller. But the film quickly loses its footing as it leans too hard into metaphor and mood, without delivering a solid story. The pacing is uneven, with long stretches of introspection that sap the tension. By the third act, the plot becomes murky and overwrought, leaving viewers more confused than intrigued. It’s a haunting film on the surface, but one that feels emotionally empty underneath. | © Peacock, Jaume Films

Cropped opus movie — 11. Opus

A24’s *Opus* aims high with its mix of horror, celebrity satire, and surreal visuals – but ends up as a confused and pretentious mess. John Malkovich brings some intrigue to the lead role, but the film never decides what it wants to be. The satire is too shallow to say anything meaningful, and the horror elements are too scattered to be scary. Viewers hoping for a sharp commentary on fame or identity are left with a muddled, self-indulgent script that spins in circles. *Opus* is bold in style but ultimately empty in execution. | © A24, XYZ Films

Cropped fountain of youth — 10. Fountain of Youth

Despite its enticing premise of an age-reversal serum, *Fountain of Youth* drowns under its own inflated ambition. The moral quandaries hinted at never coalesce into a coherent narrative, leaving audiences baffled rather than intrigued. Characters lack depth, serving more as philosophical placeholders than real people. Performances come off polished but emotionally hollow, with a twist that lands flat. Critics have described it as glossy yet empty, a visual spectacle with no emotional gravity. It feels like a beautiful mirage – spectacular to gaze at, but insubstantial up close. | © Apple Studios, Skydance Media, Project X Entertainment, Radio Silence Productions

Cropped flight risk — 9. Flight Risk

*Flight Risk* begins with the promise of high-altitude thrills but ultimately crashes due to clunky dialogue and implausible plot turns. Mark Wahlberg and Michelle Dockery try to imbue the story with tension, but their characters never fully engage us emotionally. The antagonist is cartoonishly evil, and plot mechanics feel shoehorned for convenience. Critics slammed its over-reliance on melodramatic humor, which undermines any real suspense. Additionally, some of the AI-enhanced visuals appear cheap and out of place. Ultimately, it feels like a bumpy ride with no satisfying destination. | © Icon Productions, Davis Entertainment Company, Hammerstone Studios, Media Capital Technologies

Love hurts 2025 msn — 8. Love Hurts

*Love Hurts* aims to blend action and comedy but falters with overly choreographed stunts and a weak emotional core. Ke Huy Quan and Ariana DeBose bring charm, yet the screenplay fails to give their characters real depth. The action feels stale despite 87North’s slick production values, and comedic beats land flat. Critics noted the film recycles familiar tropes from action-comedy hybrids without adding fresh flavor. Even the supporting cast – like Sean Astin and Daniel Wu – can’t salvage the thin material. Style overwhelms substance, leaving a hollow cinematic experience. | © 87North Productions

Cropped snow white — 7. Snow White

Disney’s live-action *Snow White* strives for modern reinterpretation but stumbles under its own self-importance. Despite Rachel Zegler’s earnest lead performance and Gal Gadot’s regal presence, the film is weighed down by a heavy-handed script lacking fairy-tale charm. The pacing lags through key scenes, and the decision to make the Seven Dwarfs CGI instead of casting actors distracted audiences more than it enchanted them. Overly serious themes replace whimsical wonder, diluting the original’s magic. It feels less like a reimagining and more like a misshapen update. | © Walt Disney Pictures, Marc Platt Productions

Cropped kinda pregnant — 6. Kinda Pregnant

Amy Schumer’s *Kinda Pregnant* had potential as a sharp social satire, but it fizzles under juvenile humor and predictable arcs. The concept of faking pregnancy to explore envy and expectation is squandered on mean-spirited physical gags and easy jokes. Schumer and Will Forte are game, but the script never gives them emotional texture to play against. Critics labeled the screenplay “half-conceived,” with humor that peaks early and peters out. Despite its topical premise, the film never digs deeper, settling instead for comfortable mediocrity. | © Happy Madison Productions, Something Happy, It's So Easy, Saks Picture Company

Cropped holland — 5. Holland

*Holland* teased a gripping psychological twist with Nicole Kidman at the center, but the film unfortunately prioritizes style over substance. The narrative becomes muddled as it hops between reality and hallucination, offering little clarity or payoff. Kidman delivers a committed performance, yet even her magnetic presence can't rescue a script full of contrived revelations. Supporting characters feel one-dimensional, serving only to advance the convoluted plot. Critics noted that the twist feels telegraphed and hollow, leading to a final half that drags rather than resolves. In the end, *Holland* is glossy but emotionally distant, leaving viewers wanting a sharper psychological edge. | © Amazon MGM Studios, Blossom Films, Big Indie Pictures, 42, Churchill Films

Cropped Star Trek Section 31 — 4. Star Trek: Section 31

The much-anticipated *Section 31* aimed to explore the darker fringes of Star Trek lore but landed with a thud. Michelle Yeoh delivers her trademark gravitas, yet the film is weighed down by a tangled, morally ambiguous plot that lacks emotional stakes. Critics argue it betrays Star Trek's hopeful spirit by glamorizing espionage without context or consequence. The pacing suffers under uneven tone – sometimes flashy, sometimes preachy – and even stalwart fans feel it diminishes the franchise’s ideals. Despite solid performances from Omari Hardwick and Sam Richardson, the film leaves audiences questioning its direction more than its intrigue. | © CBS Studios, CBS Television Studios, Secret Hideout, Action This Day!, Roddenberry Entertainment

Cropped the electric state — 3. The Electric State

Big-budget ambitions don’t save *The Electric State* from becoming one of Netflix’s most expensive misfires. Despite the Russo brothers’ pedigree and an all-star cast – including Millie Bobby Brown, Chris Pratt, Ke Huy Quan, and Stanley Tucci – the film collapses under repetitive action and thin character arcs. Critics panned the dialogue as stilted and unfunny, while its 320-million-dollar scope feels unearned without emotional grounding. The visual design, once a major selling point, is criticized as hollow spectacle rather than immersive world-building. Ultimately, *The Electric State* proves that scale can't cover for a lack of heart or coherent storytelling. | © AGBO

Cropped the lost lands — 2. The Lost Lands

Paired with talent like Dave Bautista and Milla Jovovich, *In the Lost Lands* looked set to redefine fantasy, but it treads too cautiously. The plot, based on a George R.R. Martin short story, winds along with predictable beats and little tension. The duo’s charisma doesn't convert – dialogue feels robotic, and their relationship underwhelming. Critics noted that every set piece is competently executed yet never truly thrilling or memorable. The visuals, while ambitious, often overshadow narrative coherence, making it feel like effects over storytelling. In sum, the film is impressively made but emotionally inert. | © Constantin Film, Spark Productions, FilmNation Entertainment, Dream Bros. Entertainment, Rusalka Film

Cropped hurry up tomorrow — 1. Hurry Up Tomorrow

The Weeknd’s cinematic debut, *Hurry Up Tomorrow*, collapses under its own artistic pretensions. Abel Tesfaye channels raw material in a restless, insomnia-driven narrative that fails to connect. Jenna Ortega and Barry Keoghan perform with intensity, yet the chemistry lacks context in a script that meanders without purpose. Critics called it a “self-indulgent mess” with little psychological insight, while viewers lamented its music-video pacing and superficial symbolism. The story flirts with emotional depth but never lands, resulting in a stylish yet empty veneer. | © Lionsgate, Live Nation Productions, Manic Phase

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We’ve officially crossed the halfway mark of 2025, and while the year has delivered some standout films, it's also brought more than a few cinematic letdowns. From overhyped blockbusters to awkward indie experiments, the first six months have given us plenty of reasons to shake our heads at the screen. In this list, we're spotlighting the worst movies of 2025 (so far) – ranked from bad to downright terrible. If you’re wondering which titles to skip, we’ve got you covered.

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We’ve officially crossed the halfway mark of 2025, and while the year has delivered some standout films, it's also brought more than a few cinematic letdowns. From overhyped blockbusters to awkward indie experiments, the first six months have given us plenty of reasons to shake our heads at the screen. In this list, we're spotlighting the worst movies of 2025 (so far) – ranked from bad to downright terrible. If you’re wondering which titles to skip, we’ve got you covered.